《西藏研究》汉文版

文章从非物质文化遗产保护的视角探讨了西藏民间美术的保护对象、原则及模式。西藏民间美术要保护的对象包括历史上的民间美术作品、现实中的民间美术生存环境、代表性民间艺人以及艺人所掌握的思想观念和手工技艺。在保护过程中应把握原生态文化保护原则和民众主导原则,可探索以生态博物馆、文化产业园、家庭手工坊相结合的模式开展保护工作,以有利于西藏民间美术的可持续发展。

This thesis discusses the protected object,principle and pattern of Tibetan folk arts from the prospective of protecting the intangible cultural heritage. The protected objects of Tibetan folk arts include works of folk arts in the past,the living environment folk arts in the reality,cross-sectional folk artist and their ideas and skills. Basing on the principles of protecting the original ecology of culture and dominating by the people,and carrying out the work on the basis of the pattern of combinging ecomuseum,cultural industry park,and family hand-made workshop together,would be beneficial to the sustainable development of Tibetan folk arts.