《西藏研究》汉文版

2014年以来,在汉语文化圈中出现了三种仓央嘉措诗歌的新译本,这些新译本构成仓央嘉措诗歌热潮在汉语文化圈中狂飙突进后的一种后续,在编排、译法、体例等方面具有不同以往的特点,同时又构成诗人译诗传统的延续。从翻译理论的角度来看,三种新出译本彰显出诗歌复译不同于一般文学文本复译的风貌,即诗无达诂与译创关联。从社会大众传播的角度来看,三种新出译本则为仓央嘉措诗歌在汉语文化圈中经典化背景下进一步世俗化提供了新的注脚。

Ever since 2014,there have appeared three new Chinese versions of Tsangsyang Gyatso's poems,which reflect a continuous efforts of translators in the wake of quick and vast popularization among the Han culture on the part of Tsangsyang Gyatso's poems. They boast novel features in terms of compilation,translation and design,etc.,meanwhile they can be categorized into the tradition of poets translating poetry. From the perspective of translation theory,they mirror the characteristics of poetry re-translation-variation in interpreting a piece of poem and relationship between poetry translation and poetry composition,different from the re-translation of other types of literal translation. From the perspective of mass media,they provide a footnote for the further secularization of Tsangsyangs Gyatso's poems against the background of their canonization among the Han culture.