《西藏研究》汉文版

对西藏民居壁画多层面美学梳理与学理分析，综合藏汉民族的历史文献和民俗审美等多学科研究成果进行论述。西藏现当代民居壁画体现了中华民族的共同文化意象，以及藏汉民族在民俗文化上的同构共性和艺术样式上的“类质同象”性，显示其象征意义的美学内涵和自古以来藏汉民俗文化间就存在的交往交流交融的历史事实。当代民居壁画等民俗文化是西藏铸牢中华民族共同体意识的重要文化资源，进一步挖掘其蕴含的美学价值。

This article analyzes the murals of Tibetan dwellings from multi-level aesthetic and theoretical perspectives,provides conclusion based on the multidisciplinary researches results of Tibet and Chinese documents studying and folk aesthetics. The murals of contemporary Tibetan dwellings reflect the common cultural imagery of Chinese nation,the similarities in folk aesthetics and the ‘similar quality and same image' in artistic style between Tibetan and Han ethnic groups. These reveal the aesthetic connotations of its symbolic meaning and the cultural communication,exchange and integration in folk aesthetics between these two ethnic groups since the ancient time. These murals Tibetan contemporary dwellings are the important folk aesthetics materials for Tibet to forge the strong sense of community for the Chinese nation,have great significance in aesthetic studying.