《西藏研究》汉文版

藏族导演万玛才旦的电影《塔洛》与华裔导演李安的电影《比利·林恩的中场战事》虽然讲述了不同文化背景下的人物故事,但他们所面临的挑战与所采取的策略,以及所带来的影响有着殊途同归的契合之处。他们都立足边缘视角,寻求对传统定见的再审视与解构,前者偏重对传统藏族电影的解构与重建,后者面临美国个人英雄主义的解剖与重新定义。他们这种独特的艺术追求,可以说是他们对自我文化体验的反思与再现,与各自之前作品对比来看,一定程度上反映了他们创作中艺术人格的真正成熟。

The film Tharlo and Billy Lynn's Long Halftime Walk is about the midfield while under the different cultural background stories; however,the director on the challenges facing and the strategies and concerns are similar. If the former is facing the deconstruction and reconstruction of traditional Tibetan movies the latter is facing to the United States; personal Heroism of anatomy and redefined. Through a series of two symbols,ritualized characterization means practice, deconstruction,and art to create a real sense of the self reconfiguration. The two directors of the artistic pursuit of convergence,can be said to be their reflection on the exhibition of self cultural experience Now,it indicates the real maturity of artistic personality in their film creation.