《西藏研究》汉文版

益希单增的小说创作大致可以分为以下四个阶段:1、1980～1984年,传统恪守期。创作题材及方法主要是革命现实主义,即突出阶级立场和文学对社会的真实反映。2、1985～1989年,沉寂探索期。其创作除在革命历史题材方面显得更加成熟外,也吸收借鉴魔幻现实主义的创作手法,开始了在小说创作手法方面的初步探索。3、1990～1999年,多向新变期,亦可看作是其长篇小说创作的丰收期。在这一时期,益希单增除了继续着他写西藏人西藏事的现实主义创作之旅外,亦从多方面努力寻求着他创作困境的突围路径。4、2000年至今,再度回归期。其创作数量明显下降,创作风格进一步趋于平实,作品倾向于表达对历史与现实的思索。

Yeshe Tenzin who is an important Chinese writer of Tibetan,emerges in Tibetan literary circle in the new period.Overall,his four stages of creation can be boiled down:traditional commitment period(1980～1984);quiet exploration period(1985～1989);creative change period(1990～1999) and qualitative regression period(2000～) from early eighties to the beginning of the new millennium.First,his creative approach of revolutionary realism perfectly improved daily in his creation of the first two periods,especially in the first period of the creation of a widespread concern,which opened the Tibetan literary novels in Chinese prelude.Yet,when Tibetan literary faced with the impact of magic realism in the period of mid-eighties to late,Yeshe Tenzin's creation by the step of time to describe the contents of the Cultural Revolution mostly.What's more,the third period was his breakthrough period.He not only drew on magic realism creation but also sought break from the historical stories and the reform and open up situation.Last,the fourth period is a comprehensive period of his creation.Though not much work,but using various creative practices made his creativity more mature.