《西藏研究》汉文版

民间叙事与作家文本互文、杂糅、叠合所产生的传承与创新效应,已成为藏族文学巨大的再生资源。《格萨尔》史诗的现代叙事诗歌写作,为史诗叙事性题材增添了主观抒情表达的客观陈述模式,《天子·格萨尔》是对藏族口头文学《格萨尔》史诗的一次创造性转化、重构和再创作实验文本,是又一部《格萨尔》史诗的"故"事"新"编。虽然新文本以《格萨尔》史诗的故事母体为叙事框架,但更多地蕴含了作者对藏族民间史诗《格萨尔》的现代性阐释和个性化书写,作者试图把史诗"元叙事"提供的无尽想象空间,以新的思维方式和现代审美意象呈现,使民间史诗的"活样态"以新的文学样式与民族历史传统文化的内在精神紧相维系,以开启人们对古老史诗新的阅读感受和新的接受视角,演绎史诗在当代语境中的诗性表达,赋予《格萨尔》史诗新的诗学意义。

King Gesar the Son of Heaven is an experimental textual practice that creatively transforms,reconstructs and rewrites the Tibetan oral epic King Gesar. The tradition and innovation in the inter-textual interaction,merging and overlapping between folk narrative and written literature have become a resource of reformation for Tibetan literature. King Gesar the Son of Heaven as a contemporary narrative poem,it adds to topics of Gesar Epic a new form of narrative with emotional expressions. It is another new version of an old story. Although it is based on the framework and themes of the Gesar epic,King Gesar the Son of Heaven is embedded with the author's more contemporary interpretation and personalized re-writing of the epic. The author of the book endeavors to utilize the space of imagination in the epic to present its original stories in the author's contemporary perspective and aesthetic images.Therefore,the author uses a new form of literature to link the viability of folk epic to the core values of Tibetan history and culture. The work offers a new view point and feeling toward the reading of an epic passed down by generations,it also poetically performs the epic in a contemporary context,therefore bestows new poetics on the Gesar epic.